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Is it any wonder Shaw won the 2013 Pulitzer Prize for Music (at age 29 – the youngest ever as Folds told the audience) for her composition “Partita for 8 Voices,” an a capella work for the vocal ensemble and has worked with the likes of Kanye West.After Shaw’s three compositions, conductor Outwater introduced Shostakovich’s “Allegro from Symphony No.10 in E minor.” The piece, written during the height of Stalin’s power in the late 1930’s Soviet Union, was one of tremendous emotion and percussion, like a blow against tyranny (or as I came to recall driving home, with the visual power of the famous 1984 ad for Apple in its metaphoric strike against IBM). If you don’t know Bareilles, she is a multiple Grammy and Tony-nominated pop vocalist and composer.Her voice and that of an 8 member chorus (Kerry Marsh Singers) were uniquely spiritually rich presentations, as if in a timeless cathedral.There was such an ease in her manner, such comfort even with difficult vocal passages.And listened to use of a major symphony orchestra through my own haze)Folds opened the evening as master-of-ceremony, with comments that quickly brought the audience to knowing attention, then applause and potent cheers.He spoke of how the beauty of music can be a way to protest and speak out against the oppressive and oppressor, that music and the human voice can speak out against injustice in their own dissident ways (my paraphrasing).
Though they're economic and cautious, they can also be indecisive. Continue to the next page to see Sara Bareilles’s dating history, past relationships and full bio.
Next up were three modern compositions performed by Caroline Shaw, including: “Red, Red Rose” by Robert Burns/Caroline Shaw, “Entr’acte” composed and arranged by Shaw, and “Other Song” composed by Shaw with arrangements by Shaw and Dominic Mekky.
Shaw’s composition and her singing were not merely polished, but otherworldly in their presentations of humanity.
Then Shaw, Folds and Bareilles became a beautiful trio of harmony.
There were moments of a kind of stillness of voice and musical instruments as if the three, joined by The Kerry Marsh Singers and the NSO were reaching up to God through song about not letting an enemy stare you down.
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With his ten musical selection, the imaginative in-the-moment performances of special guests, pop vocalist and composer Sara Bareilles and composer, violinist, and vocalist Caroline Shaw along with the NSO conducted by Edwin Outwater the evening was a knock-out that subversively meshed the pop with the classical.